In Markus Schleinzer’s cinema, being other usually begins at the point where an individual must adapt to the existing order in order to survive—a system that appears natural and universally
Violence in Rodrigo Sorogoyen’s cinema often begins at the moment when a relationship can no longer maintain the appearance of normality; when the distance between people becomes visible within the
Mike van Diem is one of those filmmakers for whom an incident is not the end of the story, but its beginning: an event that shatters the calm surface of
Claire Denis is a filmmaker for whom returning to a geography has never meant simply returning to a place; it means confronting a wound that has never fully healed. Africa