More than simply a crime thriller about the Sovereign Citizen Movement, Christian Swegal’s Sovereign is a bleak study of how ideology is passed down from father to son. While addressing
Fernando Eimbcke’s Flies explores the possibility of human transformation through an encounter with another person’s suffering. In this film, Eimbcke moves away from the familiar trope of “the grumpy, lonely
Emin Alper’s cinema has consistently operated at the intersection of politics, collective psychology, history, and structures of repression. A PhD in modern Turkish history, Alper is a remarkably perceptive, if
The teacher in Iranian cinema has never been just a teacher. One might even argue that what has drawn Iranian cinema to this figure is not the profession itself, but
In Asghar Farhadi’s cinema, editing is not merely a stage in which filmed shots are assembled; it is part of the process of discovering the narrative. That is why Hayedeh
On the occasion of the death of Sirous Ebrahimzadeh, the veteran Iranian theatre, film, radio, and television actor, who recently passed away at the age of 89.
Spoiler Warning: This comprehensive analysis examines the narrative arcs, bloodline secrets, character fates, and endings of the series 1883, 1923, and Yellowstone, revealing all the major plot points. It is
Among twentieth-century filmmakers, few have brought the question of time so explicitly and consciously to the center of their cinematic theory and practice as Andrei Tarkovsky. Even the title of
In Markus Schleinzer’s cinema, being other usually begins at the point where an individual must adapt to the existing order in order to survive—a system that appears natural and universally
Pedro Almodóvar’s cinema has always been brimming with passion, color, emotion, and rebellion. He emerged from the turbulent years that followed a period of repression and suffocation, when Spanish society