Documentary cinema can be regarded as the birth of social critique within a visual structure a cinema that derives its identity
This provided an opportunity to revisit Dr. Ali Shariati’s views on cinema. This is not to suggest a comparison between Shariati and Foucault
Many years ago, it was the grandmothers’ tales that gathered children around the house and entertained them. It was the children’s imagination that created mental and imaginary images of the
These days, forest fires in northern Iran have created tragic scenes that, if represented in cinema, would fall under the disaster genre. Unfortunately, Iranian cinema has rarely tackled such subjects.
When we speak of Alireza Davoodnezhad, we are in fact referring to an entire filmmaking family. Yet if we are to identify a central element in his directorial approach,
Final Scene: The White Splendor of a Filmmaker Who Was and Remained Independent | A Look at the Element of “Independence” in Nasser Taghvai’s Character and Works It was late
If Büchner conceives madness as the product of military oppression and humiliation, and Herzog transforms it into an existential nightmare, then Mehrjui portrays it as a symptom of cultural rupture—a
A catchphrase is a word or expression that, through frequent use, becomes a habitual part of speech—something many people adopt unconsciously in daily conversation. It’s a linguistic habit we all
The ideological Cold War began immediately after the end of World War II. The Soviet Union, the United States, and the United Kingdom effectively divided the world into Eastern and
We are now in the middle of summer—the season of leisure for children and teenagers. Yet our cinema offers little of value to meet their needs. The truth is that